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CABARET at the Kit Kat Club on Broadway - NYC [32847] 

A dimly lit, ornate theater with red velvet seats and a circular stage at the center. The ambiance is warm, with decorative chandeliers and detailed architectural design.

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CABARET at the Kit Kat Club on Broadway

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Dimly lit vintage ballroom with a checkered floor, red curtains, ornate ceiling, and a central bar topped with a disco ball.

NYC - TT - Gallery Image 3 - CABARET at the Kit Kat Club (32847)

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A dimly lit room with red lighting features an eye-shaped frame and a red "C" logo on the back wall, flanked by ornate pillars and a patterned sofa in the foreground.

NYC - TT - Gallery Image 7 - CABARET at the Kit Kat Club (32847)

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Adam Lambert makes his Broadway debut as the Emcee in [*Cabaret*](https://www.newyorktheatreguide.com/show/32847-cabaret-tickets) on Broadway at the [August Wilson Theatre](https://www.newyorktheatreguide.com/theatres/august-wilson-theatre) from September 15, 2024 to March 30, 2025.

Lambert is best known for competing on season 8 of *American Idol*, finishing as the runner-up. He went on to release five solo albums, beginning with 2009's *For Your Entertainment*, and tour with the classic rock band Queen beginning in 2012. He also made a brief appearance in the musical biopic *Bohemian Rhapsody*, about the life of original Queen frontman Freddie Mercury. 

Before appearing on *American Idol*, Lambert played Fiyero in the national tour of [*Wicked*](https://www.newyorktheatreguide.com/show/1-wicked-musical-tickets).

Adam Lambert - NY

The August Wilson Theatre, located in the heart of Manhattan, is one of New York's iconic historical landmarks. Named after Pulitzer Prize-winning playwright August Wilson, the venue hosts an array of award-winning Broadway performances. This theatre has an expansive total seating capacity of 1,222, making it an ideal environment for large scale performances. The interior reflects an Art Nouveau style featuring a grand lobby with high ceilings and intricately designed walls. The theatre’s plush seating, opulent detailing, and great acoustics create an intimate experience for viewers, compelling them to feel a part of the performance. It has managed to preserve its early 20th-century charm while presenting modern productions. **How to get to the venue**: The August Wilson Theatre is centrally located at 245 W 52nd St, making it easily accessible via numerous transportation means. Visitors can take the 1, C, E subway lines to 50th Street or the N, Q, R, W lines to 57th Street. If you prefer to bus, the M104, M20 or M7 bus lines have nearby stops. If you choose to drive, commercial parking garages are available around the theatre district. Those choosing to ride-share can set their destination to the theatre directly.

August Wilson Theatre - NY

August Wilson Theatre

The August Wilson Theatre is a historic venue in New York known for its large capacity and award-winning Broadway performances.

adam new

Auli'i Cravalho makes her Broadway debut as Sally Bowles in [*Cabaret*](https://www.newyorktheatreguide.com/show/32847-cabaret-tickets) on Broadway at the [August Wilson Theatre](https://www.newyorktheatreguide.com/theatres/august-wilson-theatre) from September 15, 2024 to March 30, 2025.

Cravalho is best known for voicing the title character in Disney's 2016 animated film *Moana*. She is also executive producing the upcoming live-action remake of the film, slated for a 2026 release.

Her other musical roles include the 2019 televised concert *The Little Mermaid Live!* as Ariel, the 2023 Kennedy Center production of *Sunset Boulevard* as Betty Schaefer, and the 2024 movie musical adaptation of *Mean Girls* as Janis 'Imi'ike.

Auli'i Cravalho - NY

aulii new

Bebe Neuwirth stars as Fraulein Schneider in [*Cabaret*](https://www.newyorktheatreguide.com/show/32847-cabaret-tickets) on Broadway at the [August Wilson Theatre](https://www.newyorktheatreguide.com/theatres/august-wilson-theatre) from April 1, 2024.

Neuwirth's Broadway career spans decades, beginning with her debut performance in the original 1975 production of *A Chorus Line*. She is best known, however, for her many performances in shows associated with Bob Fosse, including the revues *Dancin'* and *Fosse* and the musicals *Sweet Charity*, *Damn Yankees*, and now *Cabaret*. She is perhaps best known, however, for originating the role of Velma Kelly in the 1996 revival production of *Chicago*, which is still running on Broadway today.

Neuwirth's other New York theatre roles include Morticia Addams in *The Addams Family* and Nana in Sarah Silverman's *The Bedwetter*. 

Bebe Neuwirth - NY

Off Broadway Covid Protocol Update as of 2/1 - Fully vaccinated

The Bedwetter - NYC

The Bedwetter

The Bedwetter - NYC Product Media

Sarah Silverman's pungently irreverent and profane brand of comedy makes the leap into musical theatre with her funny but uneven new show, <a href="https://www.newyorktheatreguide.com/show/the-bedwetter" target="_blank">The Bedwetter</a>.If a fifth grader belting about pee and impersonating Oscar winner Sally Field cutting the cheese makes you LOL, then you may really, really like this <a href="https://www.newyorktheatreguide.com/theatres/linda-gross-theater" target="_blank">Atlantic Theater Company</a> production. There's more bathroom humor on tap — considering the title, of course there is.&nbsp;Drawn from Silverman's 2010 memoir, the taboo-toppling star is all over the stage adaptation. She co-authored the book with playwright Joshua Harmon (Bad Jews, <a href="https://www.newyorktheatreguide.com/show/prayer-for-the-french-republic" target="_blank">Prayer for the French Republic</a>) and co-wrote lyrics with the late composer Adam Schlesinger (Cry-Baby, Crazy Ex-Girlfriend). <a href="https://www.newyorktheatreguide.com/show/the-bands-visit" target="_blank">The Band's Visit</a> Tony winner David Yazbek is credited as a creative consultant.The two-hour two-act follows 10-year-old Sarah as she struggles to navigate the choppy waters of childhood in Bedford, New Hampshire. Every kid faces challenges. But because she wets the bed and her parents just divorced, plus more heavy family burdens, her hurdles are even higher.Sarah (Zoe Glick) copes by spewing inappropriate and potty-mouthed humor which she's too young to really understand. She jokes about men's bodies and oral sex, being "too Jew-y too ignore," and even her baby brother who died in a freak accident. She's a lot.&nbsp;The first half is essentially "Meet the Silvermans," whose various issues unfurl. Mom Beth Ann (Caissie Levy) is a depressed near-zombie who watches TV all day from bed. Dad Donald (Darren Goldstein), an ex-bedwetter, runs a discount clothing store when he's not bedding every woman in town. Nana (Bebe Neuwirth) chain-sips Manhattans. Big sister Laura (Emily Zimmerman) wants Sarah to disappear.Also in the mix: Sarah's steely teacher (Ellyn Marie Marsh) and snotty schoolmates (Charlotte Elizabeth Curtis, Charlotte MacLeod, and Margot Weintraub), a <a href="https://www.newyorktheatreguide.com/show/mean-girls" target="_blank">Mean Girls</a>-y trio that Sarah eventually wins over. Tip: Don't underestimate fart jokes as diplomacy. But everything fizzles when Sarah's soggy secret is discovered.The tone turns darker in the shaky second act. Sarah sees quacks (Rick Crom) ready to prescribe pills whose own grips on reality are tenuous. Cue life-size dancing Xanax tablets in a cheesy fever dream choreographed by Byron Easley. Sarah's unlikely ally is Miss New Hampshire (Ashley Blanchet), who pops in to lend support. (She and the Diana Ross character in <a href="https://www.newyorktheatreguide.com/show/trevor-the-musical" target="_blank">Trevor</a> feel like kindred spirits.)Balancing and blending the show's silly and serious split personality is a tricky assignment that exceeds the creative team and director Anne Kauffman's grasp. The feel-good — well, feel-better — resolution comes off as abrupt and incomplete.&nbsp;Along the way there are laughs. Songs are chipper and spiky, as expected since comedic numbers are among Schlesinger's specialties. But there's a nagging sameness to the score, and it starts to sound like musical wallpaper. Beth Ann's two big sobering songs stand apart. They're part of a growing musical theatre subgenre: troubled mom songs. <a href="https://www.newyorktheatreguide.com/show/dear-evan-hansen" target="_blank">Dear Evan Hansen</a> and <a href="https://www.newyorktheatreguide.com/show/jagged-little-pill" target="_blank">Jagged Little Pill</a> are recent shows that also have them.Design-wise, the show checks boxes efficiently enough. Laura Jellinek's panels and partitions shift to reveal various locales. Kaye Voyce's costumes range from street clothes to pageant-wear. Japhy Weideman's lighting helps set the mood.Levy, fresh from a mom role in <a href="https://www.newyorktheatreguide.com/show/caroline-or-change" target="_blank">Caroline, or Change</a>, impressively squeezes her solos for every drop of feeling. Neuwirth's performance, like Nana's suit, is beige, but she has one great moment that helps compensate. As Sarah, Glick shoulders the show with a gutsy star turn.The Bedwetter ultimately delivers a message about the powers of streaming your truth. The show is flawed but fun, and it feels at home off Broadway.<a href="https://www.newyorktheatreguide.com/show/the-bedwetter" target="_blank">The Bedwetter is at the Linda Gross Theater to July 3.</a>Photo credit: Bebe Neuwirth and Zoe Glick in The Bedwetter. (Photo by Ahron R. Foster)

'The Bedwetter' review — Sarah Silverman's memoir becomes a darkly comedic musical

The Bedwetter is at the Linda Gross Theater to July 3.

The Bedwetter Review | New York Theatre Guide

The Atlantic Theater Company - Linda Gross Theater is a one of New York's illustrious off-Broadway theaters, that dissects the art form of theater, producing exceptional works by contemporary American and international playwrights. Located in Chelsea, Manhattan it's a contemporary and cozy theater with seating capacity for nearly 200 attendees. It's a part of Atlantic Theater Company, an award-winning troupe that fosters a rich collaboration in the professionalism and creativity of its artists. The Linda Gross Theater ensures to provide audiences with a homely comfort, illustrious history, and a local feel that sets it apart from many of its counterparts.

**How to Get There:** The venue is easily accessible by subway, very close to the 18th Street Station that is serviced by 1 and 2 trains. Also nearby to many public bus routes that serve the area, providing another convenient means of transport. Alternatively, it is also reachable by car or taxi with metered parking available close to the venue. For more info you can check the Theater's online resources about travel routes and nearby parking facilities.

Atlantic Theater Company - Linda Gross Theater - NY

Atlantic Theater Company - Linda Gross Theater

The Linda Gross Theater of Atlantic Theater Company in Chelsea, Manhattan attracts with its contemporary off-Broadway productions and easy accessibility.

Ages 13+. Children under 4 are not permitted.

Chicago on Broadway - NYC [22]

Chicago on Broadway

NYC Chicago on Broadway [22]  Product Media 

20 years old and she’s still got it, folks!

With the 20th anniversary of [*Chicago*](https://www.newyorktheatreguide.com/show/22-chicago-tickets) speedily approaching, I took a trip to Broadway’s [Ambassador Theatre](https://www.newyorktheatreguide.com/theatres/ambassador-theatre) to witness that timeless story of murder, greed, corruption, violence, exploitation, adultery and treachery… and rest assured, I still hold it near and dear to my heart!

*Chicago* is the second longest-running show in Broadway history, behind Andrew Lloyd Webber’s infamous [*Phantom*](https://www.newyorktheatreguide.com/show/38-the-phantom-of-the-opera-tickets), and still holds the record of being the longest-running musical revival and longest-running American musical on the Great White Way. So how has this iconic musical managed to outlast its competitors in the increasingly crowded and competitive market place that is Broadway?

One word can sum it all up, really… “Class”… which just so happens to be the title of one of the more reflective numbers in the show. As Velma and Mama Morton were serenading us, asking whatever happened to class, I couldn’t help but think that this production has it in abundance. *Chicago* proves that you don’t need to bombard your audience with a number of lavish sets or elaborate costume changes to put together a winning musical. All you need is a live band on stage, intoxicating the auditorium with that jazz-infused score from the genius that is John Kander and Fred Ebb and sprinkle it with that Bob Fosse-style choreography, and before you know it, you’ve razzle dazzled ‘em! Those tight-fitting, all-black (and often transparent) costumes by William Ivey Long enhance the show’s sensuality with equal measures of male and female exposure and have themselves become as recognisable as the show’s glittering red logo.

You forget how ground-breaking this revival must have been, when it officially opened on Broadway on 14th November 1996. Moments of breaking the fourth wall to introduce the musical numbers and having the conductor of the band interact with the actors on stage, still set *Chicago* apart from its predecessors, and who wouldn’t want to call for their “Exit Music” each time they left the room?

*Chicago* is equally as famous for its revolving casting door, which has seen both Broadway veterans and celebrities from the world of music, TV and film take to the stage and sink their teeth into those coveted principal roles for special limited engagements. Some of the company’s principals have been with the show for quite some time and continue to delight with every performance. NaTasha Yvette Williams’ brassy and sultry Mama Morton, Raymond Bokhour’s ever-loveable Amos and R. Lowe’s skilled, gender-bending performance as Mary Sunshine are always crowd-pleasing and essential parts of the production, offering the degree of stability that takes it smoothly through its many cast changes. Although some would argue that Chicago has been reduced to a star vehicle for celebrities wishing to dip their toes into the world of Broadway, I see it as a living, breathing piece of musical theatre history, which rightfully remains at the Ambassador Theatre and reminds us that all you need is class and, of course, all that jazz!

*(Photo by Jeremy Daniel)*

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"As much tribute as revival, the spirit of Fosse's genius never leaves the stage, and Chicago, under Walter Bobbie's sharp direction, will dazzle newcomers to the trademark Fosse dance style and provide a thrilling reminder to those who've seen it before just how smart, sexy and exciting this brand of choreography was, or rather, is."
*Greg Evans for Variety*

"Chicago is a triumph! It doesn't just give us the old razzle-dazzle; it glows."
*Richard Zoglin for Time Magazine*

"Chicago still glitters hypnotically! It remains the best adult entertainment in town and still bubbles with the joy of performing!"
*Ben Brantley for New York Times (2007)*

"The show seems to have discovered the fountain of youth. As entertaining as ever. Brash, buoyant and utterly irresistible!"
*Michael Kuchwara for The Associated Press (2003)*

'Chicago' review

Read our 20th anniversary review of *Chicago* on Broadway at the Ambassador Theatre.

The Ambassador Theatre is a quintessential landmark venue situated in the heart of Times Square in New York City. The theatre, built in a unique diagonal orientation to fit within a corner property, opened in 1921 and has since been a stoić stalwart in the midst of the bustling city life. The beautifully ornated structure with its grand interiors and elegant façade captures the essence of old New York charm. With a seating capacity of 1125, the theatre provides an intimate and immersive theatrical experience. Ambassador Theatre has been the venue for numerous historically and culturally significant productions, including 'Chicago,' not only gaining it popularity but also cementing its position as a paragon in the New York theatre scene.

## How to get to the Venue
The Ambassador Theatre is easily accessible by public transport. The closest subway stations are 49th Street (N, R, and W lines), and 50th Street (1 and 2 lines). An alternate option is to take the C or E line to 50th Street. The theatre is also reachable by several bus lines such as M7, M20, M50, or M104. For attendees driving, numerous public parking spaces are available in and around Times Square.

Ambassador Theatre - NY

Ambassador Theatre

The Ambassador Theatre, an iconic venue in Times Square, New York, is known for its unique architecture and historic productions.

Bebe B W 200

Steven Skybell stars as Herr Schultz in [*Cabaret*](https://www.newyorktheatreguide.com/show/32847-cabaret-tickets) on Broadway at the [Kit Kat Club at the August Wilson Theatre](https://www.newyorktheatreguide.com/theatres/august-wilson-theatre).

Skybell has a decades-long theatre career that includes Broadway productions of *Fiddler on the Roof*, *Wicked*, *Pal Joey*, *The Full Monty*, and more. He earned a Drama Desk Award nomination for performing in an Off-Broadway production of *Fiddler on the Roof* in Yiddish, and a 2024 Tony Award nomination for his performance in *Cabaret*.

Steven Skybell - NY

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August Wilson Theatre - TodayTix

The August Wilson Theatre has gone through a number of name changes. The building originally opened as the Guild Theatre in 1925 and went on to be used as a Radio Playhouse (WOR Mutual Radio) from 1943 to 1950.

From the 1950s, the venue became a theatre again, operating under the name of the Anta Playhouse (aka Anta Theatre). In 1981, the building was re-christened the Virginia Theatre, before assuming its present name on October 16, 2005 — two weeks after the death of the American playwright August Wilson. Wilson became the first Black person to have a Broadway theatre named for them.

## How to get to the August Wilson Theatre on Broadway

To get to the August Wilson Theatre, take the C, E, or 1 line to 50th Street and walk two blocks; the theatre is located on 52nd Street between Eighth Avenue and Broadway. Audiences can also take the M20 or M104 bus line to the 8th Ave/W 52nd St. stop.

## Restaurants near the August Wilson Theatre

Popular restaurants near the August Wilson Theatre include Haswell Green's (American), Gallagher's Steakhouse, and Rosie O'Grady's (steak and seafood). Ellen's Stardust Diner, a famous restaurant featuring singing waitstaff, is also nearby.

[Learn more about popular pre- and post-show restaurants in the Theatre District.](https://www.newyorktheatreguide.com/theatre-news/news/where-to-eat-before-and-after-a-broadway-show)

August Wilson Theatre - New York Theatre Guide

The August Wilson Theatre, formerly known as the Guild Theatre, the Radio Playhouse, and the Virginia Theatre, is accessible by C, E, or 1 subway lines and M20 or M104 bus lines. Nearby restaurants include Haswell Green's, Gallagher's Steakhouse, Rosie O'Grady's, and Ellen's Stardust Diner.

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The Tony-winning revival

Day of week	Matinee	Evening
Monday	-	7:30 PM
Tuesday	2:00 PM	-
Wednesday	-	-
Thursday	2:00 PM	8:00 PM
Friday	-	7:30 PM
Saturday	2:00 PM	8:00 PM
Sunday	3:00 PM	-

CABARET at the Kit Kat Club on Broadway Tickets

About CABARET at the Kit Kat Club

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Adam Lambert

Auli'i Cravalho

Bebe Neuwirth

Steven Skybell

CABARET at the Kit Kat Club cast and creative team

Venue

August Wilson Theatre

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