Name: BOOP! The Betty Boop Musical on Broadway
Start: 2025-03-11
Location: Broadhurst Theatre

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BOOP! The Betty Boop Musical on Broadway - NYC [39187]

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BOOP! The Betty Boop Musical on Broadway

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BOOP! The Betty Boop Musical - NYC [39187] Product Media

Poster of BOOP! The Betty Boop Musical on Broadway in New York.

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Jasmine Amy Rogers makes her Broadway debut as Betty Boop in [*BOOP! The Musical*](https://www.newyorktheatreguide.com/show/39187-boop-the-betty-boop-musical) at the [Broadhurst Theatre](https://www.newyorktheatreguide.com/venues/broadhurst-theatre) from March 11, 2025.

Rogers originated the role of Betty Boop in *BOOP! The Musical*'s world-premiere run in Chicago in 2023. She has also appeared in the first national tour of *Mean Girls* as Gretchen Wieners and on the TV show *Evil* as Charlotte.

Jasmine Amy Rogers - NY

The Broadhurst Theatre is a prestigious, century-old Broadway venue located in Midtown Manhattan, New York. It was named after the renowned playwright George H. Broadhurst, an Anglo-American who was originally from Bristol, England. Constructed by the Shubert Brothers and designed by the architectural firm Kirchoff & Rose, Broadhurst Theatre opened its doors to the public on September 27, 1917, with its first-ever staged play, George Bernard Shaw’s 'Misalliance'. Spanning over a wide space of 20,000 square feet, it can comfortably seat slightly over 1,100 spectators on two levels. With its decorative ceilings, excellent acoustics, central location, and intimate seating arrangement, the Broadhurst Theatre has been attracting Broadway artists and audience for over 100 years. 
 
##How to get to the venue
The Broadhurst Theatre is centrally located at 235 West 44th Street, and this strategic location makes it easily accessible from all parts of the city. If you're using public transportation, Times Square's 42nd Street subway station is the closest, served by various train lines such as the 1, 2, 3, 7, N, Q, R, W, S. Also, multiple buses serve 44th Street, including the M20 and M104 lines. Hence, reaching the Broadhurst Theatre isn't difficult regardless of where you are starting your journey.

Broadhurst Theatre - NY

Broadhurst Theatre

Broadhurst Theatre is a historic Broadway venue in Manhattan, renowned for its intimate seating, excellent acoustics, and accessible location.

jasmine-200

Erich Bergen stars as Raymond in [*BOOP! The Musical*](https://www.newyorktheatreguide.com/show/39187-boop-the-betty-boop-musical) on Broadway at the [Broadhurst Theatre](https://www.newyorktheatreguide.com/venues/broadhurst-theatre) from March 11, 2025.

Bergen has performed on Broadway as Dr. Pomatter in *Waitress* and Billy Flynn in [*Chicago*](https://www.newyorktheatreguide.com/show/22-chicago-tickets). He is widely known for his screen roles as Bob Gaudio in the *Jersey Boys* movie musical and Blake Moran on the CBS TV show *Madam Secretary*.

Erich Bergen - NY

Use voucher code 22OFFWAITRESS at checkout and save $22 for performances 1/1-1/9.

Broadway COVID Protocol

Waitress on Broadway - NYC [23488] (NEW)

Waitress on Broadway

Waitress on Broadway - NYC [23488] (NEW) Product Media

Waitress is a musical that will leave you fahklempt, because of Sarah Bareilles' sublime music, but seriously unsatisfied with the decision to overstuff this story.There are a few basic and necessary ingredients in writing a story. On the one hand there is the three character rule. Two main characters, one of whom - the primary - is driving the piece (Romeo tumbles for Juliet), and a third character whose presence affects the plot. Romeo kills Mercutio and things go south. We see this all the time in every single show on TV. Every. Single. One. Then you have your actions: discover, deliberate and determine. Also in every TV script. These are basics that date back to a seriously long time ago. Way long. And they are basic because they work. They work so well that when you see a show that feels off you can go directly to these rules and see where the applecart tipped over.In this case I picture this esteemed tribe of artists sitting around the worktable and considering what to cut. I saw this show in Boston and it was ripe for scissoring back then. I picture the conversation went something like, "Well, we could cut the song about dating." And the reply, "Oh but I love that song. And she nails it." "OK. How about the one where she defends her love life." "Nope. We need that one because she's been silent up till then." And on and on and on. In the end everything stayed because all the elements were too dear. No one had the laser vision to make the cuts. Even the song "I Love You Like A Table" - the title speaks for itself...To use the pie analogy that begins the show, this team took sugar, butter, flour and added chocolate, cinnamon, lemons, ginger, molasses, minced meat and... you get the idea.On the plus side of everything is Jesse Mueller whose skill at delivering a whole universe in a song is astonishing. Her range is stratospheric and her heart is in every note. As Jenna, she is the waitress who supplies Joe's Diner with pies that are not just pies. Each one is life. "Deep Dish Blueberry Bacon" "Betrayed by My Eggs Pie". Some are real, others are fantasy, like "My Husband's A Jerk Chicken Pot Pie".Jenna is one of those women who never gets a leg up. The kind of woman who will not be able to afford a ticket to this show. She married because there was not much else to do. And now her husband has devolved into a self-pitying Neanderthal named Earl (Nick Cordero). At work Jenna is buoyed up by the other waitresses. Dawn (Kimiko Glenn) is a perky waif who would like to be in love but has no idea how to do it. Becky (Keala Settle) is a woman with a lot of mileage who still has plenty of tread on her tires. The cook Cal (Eric Anderson) is a monosyllabic soul of hidden substance. The owner Joe (a delightful as always Dakin Matthews) wears gruff like an impenetrable suit and misses nothing. His solo "Take It From An Old Man" left the audience moved so much we almost forgot to clap. Then there are the customers who dance and sing through life.In other words there is nothing new here. Except for the arrival of the local gynecologist Dr. Pomatter (Drew Gehling) to whose office Jenna bolts when she learns she is pregnant with a child she does not want because a) it is Earl's and b) she is pretty certain she will mess up being a mother. The highly improbable relationship that develops between doctor and patient is made plausible, once again, because of the music. Their several duets are exquisite, and when it comes to being funny, Gehling walks away with the trophy.Eventually Jenna gets her courage back, and the balcony erupts with applause. Not so much in the orchestra where I imagine there were a lot of women seeing themselves on that stage: in an unhappy relationship with future prospects looking dim. The walking wounded.And that is where the bravery of this show lies: in the tale of a woman who is living her life by putting one foot in front of the other every day. She has dreams. In this show a dream does not make you delusional. A dream is a soft place to land.And in the end that is why we cry and that is why we cheer. And that is why I will go to Tower Records (gotcha) and get the cast recording. I cannot wait to hear these songs again.<a href="/news-features/waitress-to-return-to-broadway-in-september-starring-sara-bareilles">Sara Bareilles will reprise the role of Jenna in Waitress at the Barrymore Theatre from September 2. Find out more about Waitress on Broadway here.</a>(Photo by Joan Marcus)<hr />"In Jessie Mueller, who plays Jenna, that hard-working waitress, this agreeable if unexceptional musical... has the kind of vital ingredient any show would benefit from." Charles Isherwood for New York Times"A big-hearted but overwrought new musical about an everyday woman." Joe Dziemianowicz for New York Daily News"In a rare case of an adaptation besting its source material, the new musical is an improvement on the 2007 movie it's based on. From score to casting, book to staging, everything comes together with a deceiving ease." Elisabeth Vincentelli for New York Post"Fresh and delicious, Waitress has an excellent ratio of sweet to tart; supporting characters who provide crustiness (Dakin Matthews's grumbly store owner) and flakiness (Christopher Fitzgerald's loony admirer of another waitress); and cooked-to-perfection staging by Diane Paulus. The whole dish is—please forgive me—love at first bite." David Cote for Time Out New York"Take terrific songs by Sara Bareilles, mix them to a story by Jessie Nelson that isn't too sugary, bake that with intimate, understated direction by Diane Paulus and top it off with a powerhouse performance by Jessie Mueller." Mark Kennedy for Associated Press"A tasty slice of pie for those with a sweet tooth." David Rooney for Hollywood Reporter"Sara Bareilles has written a charming score that suits the quirky material and Mueller's dazzling voice and endearing personality." Marilyn Stasio for VarietyExternal links to full reviews from popular press...<a href="http://www.nytimes.com/2016/04/25/theater/review-jessie-mueller-serves-a-slice-of-life-with-pie-in-sara-bareilless-waitress.html?_r=0" target="Top">New York Times</a> - <a href="http://www.nydailynews.com/entertainment/theater-arts/jessie-mueller-star-turn-baked-perfection-waitress-article-1.2610433" target="Top">New York Daily News</a> - <a href="http://nypost.com/2016/04/24/women-songwriters-like-sara-bareilles-are-owning-broadway/" target="Top">New York Post</a> - <a href="http://www.timeout.com/newyork/theater/waitress" target="Top">Time Out</a> - <a href="http://abcnews.go.com/Entertainment/wireStory/review-broadways-waitress-recipe-success-38642316" target="Top">Associated Press</a> - <a href="http://www.hollywoodreporter.com/review/sara-bareilles-waitress-theater-review-887182" target="Top">Hollywood Reporter</a> - <a href="http://variety.com/2016/legit/reviews/waitress-review-broadway-musical-1201759570/" target="Top">Variety</a>

Waitress

The Barrymore Theatre is a historic Broadway venue located in the heart of New York City. Opening its doors in 1928, this prestigious theatre was named after the famed Barrymore theatrical family. Its luxurious interior boasts a classic 20th-century design with grand staircases, ornate details and golden accents, transporting visitors back in time. It is capable of seating up to 1,028 guests, offering both orchestra and mezzanine seating. Notably, this Broadway venue has been the stage for many successful plays, such as the Pulitzer Prize-winning play 'August: Osage County' and the critically acclaimed 'The Curious Incident of the Dog in the Night-Time'.

**How to get to the venue:**
The Barrymore Theatre can be conveniently reached by various modes of transport. If commuting by subway, take either the C, E or 1 train to 50th Street. Alternatively, take the N, Q or R train to 49th Street. Those preferring to travel by bus can take the M104, M7, M20, or M50 bus lines. The Theatre is also easily accessible by taxi and for those driving, there are numerous nearby parking garages available.

Barrymore Theatre - NYC

Barrymore Theatre

The Barrymore Theatre is a historic Broadway venue in New York City, known for its classic design and acclaimed performances.

Ages 13+. Children under 4 are not permitted.

Chicago on Broadway - NYC [22]

Chicago on Broadway

NYC Chicago on Broadway [22]  Product Media 

20 years old and she’s still got it, folks!

With the 20th anniversary of [*Chicago*](https://www.newyorktheatreguide.com/show/22-chicago-tickets) speedily approaching, I took a trip to Broadway’s [Ambassador Theatre](https://www.newyorktheatreguide.com/theatres/ambassador-theatre) to witness that timeless story of murder, greed, corruption, violence, exploitation, adultery and treachery… and rest assured, I still hold it near and dear to my heart!

*Chicago* is the second longest-running show in Broadway history, behind Andrew Lloyd Webber’s infamous [*Phantom*](https://www.newyorktheatreguide.com/show/38-the-phantom-of-the-opera-tickets), and still holds the record of being the longest-running musical revival and longest-running American musical on the Great White Way. So how has this iconic musical managed to outlast its competitors in the increasingly crowded and competitive market place that is Broadway?

One word can sum it all up, really… “Class”… which just so happens to be the title of one of the more reflective numbers in the show. As Velma and Mama Morton were serenading us, asking whatever happened to class, I couldn’t help but think that this production has it in abundance. *Chicago* proves that you don’t need to bombard your audience with a number of lavish sets or elaborate costume changes to put together a winning musical. All you need is a live band on stage, intoxicating the auditorium with that jazz-infused score from the genius that is John Kander and Fred Ebb and sprinkle it with that Bob Fosse-style choreography, and before you know it, you’ve razzle dazzled ‘em! Those tight-fitting, all-black (and often transparent) costumes by William Ivey Long enhance the show’s sensuality with equal measures of male and female exposure and have themselves become as recognisable as the show’s glittering red logo.

You forget how ground-breaking this revival must have been, when it officially opened on Broadway on 14th November 1996. Moments of breaking the fourth wall to introduce the musical numbers and having the conductor of the band interact with the actors on stage, still set *Chicago* apart from its predecessors, and who wouldn’t want to call for their “Exit Music” each time they left the room?

*Chicago* is equally as famous for its revolving casting door, which has seen both Broadway veterans and celebrities from the world of music, TV and film take to the stage and sink their teeth into those coveted principal roles for special limited engagements. Some of the company’s principals have been with the show for quite some time and continue to delight with every performance. NaTasha Yvette Williams’ brassy and sultry Mama Morton, Raymond Bokhour’s ever-loveable Amos and R. Lowe’s skilled, gender-bending performance as Mary Sunshine are always crowd-pleasing and essential parts of the production, offering the degree of stability that takes it smoothly through its many cast changes. Although some would argue that Chicago has been reduced to a star vehicle for celebrities wishing to dip their toes into the world of Broadway, I see it as a living, breathing piece of musical theatre history, which rightfully remains at the Ambassador Theatre and reminds us that all you need is class and, of course, all that jazz!

*(Photo by Jeremy Daniel)*

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"As much tribute as revival, the spirit of Fosse's genius never leaves the stage, and Chicago, under Walter Bobbie's sharp direction, will dazzle newcomers to the trademark Fosse dance style and provide a thrilling reminder to those who've seen it before just how smart, sexy and exciting this brand of choreography was, or rather, is."
*Greg Evans for Variety*

"Chicago is a triumph! It doesn't just give us the old razzle-dazzle; it glows."
*Richard Zoglin for Time Magazine*

"Chicago still glitters hypnotically! It remains the best adult entertainment in town and still bubbles with the joy of performing!"
*Ben Brantley for New York Times (2007)*

"The show seems to have discovered the fountain of youth. As entertaining as ever. Brash, buoyant and utterly irresistible!"
*Michael Kuchwara for The Associated Press (2003)*

'Chicago' review

Read our 20th anniversary review of *Chicago* on Broadway at the Ambassador Theatre.

The Ambassador Theatre is a quintessential landmark venue situated in the heart of Times Square in New York City. The theatre, built in a unique diagonal orientation to fit within a corner property, opened in 1921 and has since been a stoić stalwart in the midst of the bustling city life. The beautifully ornated structure with its grand interiors and elegant façade captures the essence of old New York charm. With a seating capacity of 1125, the theatre provides an intimate and immersive theatrical experience. Ambassador Theatre has been the venue for numerous historically and culturally significant productions, including 'Chicago,' not only gaining it popularity but also cementing its position as a paragon in the New York theatre scene.

## How to get to the Venue
The Ambassador Theatre is easily accessible by public transport. The closest subway stations are 49th Street (N, R, and W lines), and 50th Street (1 and 2 lines). An alternate option is to take the C or E line to 50th Street. The theatre is also reachable by several bus lines such as M7, M20, M50, or M104. For attendees driving, numerous public parking spaces are available in and around Times Square.

Ambassador Theatre - NY

Ambassador Theatre

The Ambassador Theatre, an iconic venue in Times Square, New York, is known for its unique architecture and historic productions.

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Faith Prince stars as Valentina in [*BOOP! The Musical*](https://www.newyorktheatreguide.com/show/39187-boop-the-betty-boop-musical) on Broadway at the [Broadhurst Theatre](https://www.newyorktheatreguide.com/venues/broadhurst-theatre) from March 11, 2025.

Prince is best known for her Tony Award-winning performance as Miss Adelaide in *Guys and Dolls* in 1992. She earned three additional nominations for her performances in *Jerome Robbins' Broadway*, *Bells Are Ringing*, and *A Catered Affair*.

She has appeared in more than a dozen Broadway shows total, with other notable roles including Miss Hannigan in *Annie*, Ursula in *Chicago*, Shirley in *Disaster!*, and Anna Leonowens in *The King and I*.

Prince has also had recurring roles on TV shows including *Melissa & Joey*, *Spin City*, and *Huff*.

Faith Prince - NY

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Broadhurst Theatre - TodayTix

The Broadhurst Theatre was designed by Herbert J. Krapp and named after the playwright/producer George Howells Broadhurst, who oversaw the building of the theatre in partnership with the Shubert family.

The venue officially opened on September 27, 1917 with the New York premiere of George Bernard Shaw's *Misalliance*. Multiple of Broadhurst's own plays also went up there between 1917 and 1924.

The theatre is a designated New York City landmark. Its architectural style mirrors that of the Gerald Schoenfeld Theatre, which was also designed by Krapp and built at the same time.

## How to get to the Broadhurst Theatre on Broadway

The nearest subway stops to the Broadhurst Theatre are the 42nd Street stops on the A, C, E, 1, 2, 3, 7, N, Q, R, W, or S lines. Audiences can also take the bus to either 7th Ave/W 44th St. on the M4, M20, or M014 line; or the W 43rd St. and 8th Ave stop on the M20, M104, or M34A-SBS line.

## Restaurants near the Broadhurst Theatre

Popular restaurants near the Broadhurst Theatre include Nizza (Italian), Marseille (French), and Five Napkin Burger (American), all of which are on Ninth Avenue between 44th and 45th Streets. The Broadhurst is on 44th Street between Eighth Avenue and Broadway, and other nearby restaurants include Junior's (American), Carmine's (Italian), and Bubba Gump Shrimp Co. (American).

[Learn more about popular pre- and post-show restaurants in the Theatre District.](https://www.newyorktheatreguide.com/theatre-news/news/where-to-eat-before-and-after-a-broadway-show)

Broadhurst Theatre - New York Theatre Guide

The Broadhurst Theatre, designed by Herbert J. Krapp, opened in 1917. It's a NYC landmark near multiple subway stops and well-known restaurants.

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